You want an agent. So what do you do? Agents deal with talented writers every day.
How do you get an agent for your screenplay? The short answer is this: I have had a few agents over the years but they did a lot less for me than I was doing for myself so we usually parted company after a few months. I know a fairly well established television writer who got an agent early in her career and never had to spend any of her time selling her scripts.
She wrote a great spec television script, got it to the right agent, and was hired to write for a major television show.
Now 10 years later her career is slowing down and she has absolutely no idea how to sell a script. All she can do is write spec scripts and send them to her agent and then wait for her agent to call her.
Her agent is calling less and less. This example is close to best case scenario, too.
Keep in mind signing with either of these types of agents is not without value. Having any sort of an agent, even one with no real credits or clout in the industry does give you some additional credentials. For instance, many production companies will not accept submissions from writers directly, so you can have your agent submit it for you or simply submit it on behalf of your agent.
How would you try and find up-and-coming talent if you were that agent? Reading blind submissions is just too time consuming and costly.
Their time is too precious. This is how connections are made. This is how you get a good agent. You build your writing resume one project at a time and eventually things will start to open up for you. With that said, there are a few ways that you can try and get an agent.
Who knows, they might just sell one of your scripts for you and at the very least they might give your own submissions a little more juice. They must agree to adhere to the WGA rules to be a signatory agency.
Just send your query letter to every single agency on the list and see if anything sticks. The HCD is a great resource because it lists managers as well as agents and you might have a little more luck finding a manager.
The exact difference between an agent and a manager will be covered in a future post, but suffice it to say that an agent is more geared towards selling your script and getting you work as a writer while a manager is more geared towards career development and might be able to act as a script consultant and help you develop your work.
IMDb Pro is now a much better resource for this sort of data collection. To see a video demonstration of me pulling out contact information for agents check out this video: I also include a 1 page synopsis for each script that I pitched in the query letter.
Read my full post on how to write a professional query letter by clicking here. Any reputable agent or manager does NOT charge you anything upfront for their services. They only get paid when you get paid.To learn how to become a screenwriter, you need to do more than read screenwriting books.
You need to do more than learn how to write a screenplay. You need to approach the process of becoming a screenwriter for the long-term. How To Become A Screenwriter. Over the past sixteen years I have worked with thousands of screenwriters. John Truby’s screenwriting courses and software are a staple of screenwriting classes worldwide.
|About screenwriting agents, screenwriting agent, screenwriting agencies||Misconceptions persist because the agency business is somewhat secretive. There are lots of very powerful agents and agencies that keep a low profile on purpose.|
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His book, The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, presents his “Twenty-Two Building Blocks” plot structure is a classic. Screenplay Agents Are Brokers.
First, let’s make sure we’re on the same page about this: all screenplay agents are brokers. In the same way stockbrokers buy and sell stock and are paid on commission, screenplay agents broker transactions between buyers and sellers and are paid only when the deals go .
UK Screenwriting agents Below is a list of UK screenwriting agents and literary agencies. Some agents are very approachable, while others deliberately make it .
John Truby’s screenwriting courses and software are a staple of screenwriting classes worldwide. His book,The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, presents his “Twenty-Two Building Blocks” plot structure is a classic. Agents want to see a factory. Compile a list of 'dream agents' by tracking their deals and clients.
Keep the faith! And don't expect an agent to do anything more than sell you for big bucks. Like a cat, they're all about getting the cream.